When I first laid eyes on the Kunsthaus Graz from high above town, I must admit I had an allergic reaction to its quirky form. Seemingly so out of place in the historical center of town, it feels almost like an insult to the senses. But as the days pass, I begin to soften and my tolerance for its out-of-place appearance mounts. Once I actually go visit, I'm smitten.
Inside, the strange ventricles reveal themselves as windows -- portals to the sky. Moving walkways move visitors up an incline, and the exhibits are small enough to be digestible. At the moment, articles by the late Italian designer Joe Colombo are being showcased. Every graphic designer I know had one of his rolling plastic tabourets at one point or another. When I see his Total Furnishing Unit, I want to move in.
The Kunsthaus, nicknamed the "Friendly Alien", has grown on me to such an extent that when I leave, I'm tempted to blow my luggage weight limit with books about the place. I grudgingly control myself, remembering that the internet is weightless and infinitely accessible. A web visit won't be the same, but at least it won't break my back. I only hope the locals love it as much as I do...
Inside, the strange ventricles reveal themselves as windows -- portals to the sky. Moving walkways move visitors up an incline, and the exhibits are small enough to be digestible. At the moment, articles by the late Italian designer Joe Colombo are being showcased. Every graphic designer I know had one of his rolling plastic tabourets at one point or another. When I see his Total Furnishing Unit, I want to move in.
The Kunsthaus, nicknamed the "Friendly Alien", has grown on me to such an extent that when I leave, I'm tempted to blow my luggage weight limit with books about the place. I grudgingly control myself, remembering that the internet is weightless and infinitely accessible. A web visit won't be the same, but at least it won't break my back. I only hope the locals love it as much as I do...
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